2008
| Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me lettersthey always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 19....[more] |
2006
| From the mid-1930s to 1978 Elizabeth Bishop published some ninety poems and thirty translations. Yet her notebooks reveal that she embarked upon many more compositions, some existing in only fragmentary form and some embodied in extensive drafts.Edgar Allan Poe & The Juke-Boxpresents, alongside facsimiles of many notebook pages from which they are drawn, poems Bishop began soon after college, reflecting her passion for Elizabethan verse and surrealist technique; love poems and dream fragments fr....[more] |
1994
| This bilingual anthology brings together a representative selection from more than a half century of this distinguished Brazilian poet's lifetime work. Along with previously translated poems are many others in English for the first time. The remarkable group of poets and translators includes Elizabeth Bishop, Alastair Reid, Galway Kinnell, Louis Simpson, and W. S. Merwin. |
1991
| From several thousand letters, written over fifty years - from 1928, when she was seventeen, to the day of her death, in Boston in 1979 - Robert Giroux has selected over five hundred and has written a detailed and informative introduction.One Arttakes us behind Bishop's formal sophistication and reserve, displaying to the full the gift for friendship, the striving for perfection, and the passionate, questing, rigorous spirit that made her a great poet. |
1983
| Presented in two sections, "Memory: Persons and Places" and "Stories," this book offers the collected prose writings of Elizabeth Bishop (1911-79), one of America's most celebrated and admired poets. The selections are arranged not by date of compostion, but in biographical order, such that reading this volume greatly enriches one's understanding of Bishop's life--and thus her poetry as well. "Bishop's admirers will want to consult her Collected Prose for the light it sheds on her poetry," as Da....[more] |
1983
| Highly regarded throughout her prestigious literary career, and today seen as an undeniable master of her art, Elizabeth Bishop remains one of America's most influential and widely acclaimed poets. This is the definitive collection of her work. The Complete Poems includes the books North & South, A Cold Spring, Questions of Travel, and Geography III, as well as previously uncollected poems, translations, and juvenilia. |
1979
| This book is a bilingual collection of Paz's poems. Throughout this book the poet's abiding concern for language as a living force is revealed. |
1975
| "Geography III," Bishop's final book of poems, first appaered in 1976. It contains such masterpieces as "In the Waiting Room," "The Moose," and "One Art." |
1972
| A 25th anniversary edition of a book cited by Modern Language Journal as "notable for the original and interesting choice of poems and for the accuracy and poetic quality of the translations." Work by 14 Brazilian poets, including the late Joao Cabral de Melo Neto, is presented en face with translations by Elizabeth Bishop, Paul Blackburn, Ashley Brown, Jane Cooper, Richard Eberhart, Barbara Howes, June Jordan, Galway Kinnell, Jean Longland, James Merrill, W. S. Merwin, Louis Simpson, Mark Stran....[more] |
2011
|
POEMSThis is the definitive edition of the work of one of America’s greatest poets, increasingly recognized as one of the greatest English-language poets of the twentieth century, loved by readers and poets alike. Bishop’s poems combine humor and sadness, pain and acceptance, and observe nature and lives in perfect miniaturist close-up. The themes central to her poetry are geography and landscape—from New England, where she grew up, to Brazil and Florida, where she later lived....[more] |
2011
|
This is the definitive edition of the work of one of America’s greatest poets, increasingly recognized as one of the greatest English-language poets of the twentieth century, loved by readers and poets alike. Bishop’s poems combine humor and sadness, pain and acceptance, and observe nature and lives in perfect miniaturist close-up. The themes central to her poetry are geography and landscape—from New England, where she grew up, to Brazil and Florida, where she later lived̵....[more] |
2011
|
Elizabeth Bishop’s prose is not nearly as well known as her poetry, but she was a dazzling and compelling prose writer too, as the publication of her letters has shown. Her stories are often on the borderline of memoir, and vice versa. From her college days, she could find the most astonishing yet thoroughly apt metaphors to illuminate her ideas. This volume—edited by the poet, Pulitzer Prize–winning critic, and Bishop scholar Lloyd Schwartz—includes virtually all her pu....[more] |
2008
| Poems, in both English translation and the original Spanish, deal with fate, nature, language, intimacy, love, friendship, and the senses. |
2008
| Highly regarded throughout her prestigious literary career, and today seen as an undeniable master of her art, Elizabeth Bishop remains one of America's most influential and widely acclaimed poets. This is the definitive collection of her work. The Complete Poems includes the books North & South, A Cold Spring, Questions of Travel, and Geography III, as well as previously uncollected poems, translations, and juvenilia. Highly regarded throughout her prestigious literary career, and today seen as....[more] |
2007
| Whether writing about waiting as a child in a dentist's office, viewing a city from a plane high above, or losing items ranging from door keys to one's lover in the masterfully restrained "One Art," Elizabeth Bishop somehow conveyed both large and small emotional truths in language of stunning exactitude and even more astonishing resonance. As John Ashbery has written,"The private self . . . melts imperceptibly into the large utterance, the grandeur of poetry, which, because it remains rooted in....[more] |
(C) Copyright 2010 FiledBy, Inc. All Rights Reserved.