An avid reader can become a prolific writer. Such is the case with me. I started out in my teens reading Louis L’Amour. I have one hundred ninety of his paperbacks and fifteen of his books bound in leather. I read them all, loved them and saved them. I only read one romance during my teens, titled The Daring Deception. Lately I’ve tried to find it so I can buy it, but I haven’t been successful in my attempt to locate it. I only want it for nostalgic purposes, since I had no idea I’d eventually become a romance junkie and writer. In essence, that book was my romantic beginning.

I never read another romance until 2003 when I graduated with a Masters in History and decided to read something for fun. A friend of mine always carried a romance novel in her purse and read constantly. I borrowed a couple of books from her, and the rest is history. I was hooked.

I read all kinds of romance, but only write contemporary suspense/intrigue. I had a top secret clearance in the Air Force so I seldom have to research, yet. I’ve done a bit of digging to confirm things I already suspected to be true, but mostly I write from experience or imagination and stick to the facts as much as possible.

I read books from August 2003 until May 2004, and I was lying on the couch reading one day and thought, “What would I write if I wrote a book?” I like action movies that make you think, a story with a good plot with a hero and heroine trying to figure out what’s affecting their lives, bringing them together, and pulling them apart. I started there. I decided to write a suspense/mystery, since neither the reader nor the characters knew who was after the hero/heroine, although sometimes both the reader and characters do know who the villain in my works is, but the villain is allusive.

So, all those books I read, and still read, were a learning process, just as everything else in my life has led up to where I am now. I was a good student, a good military leader, a good reader, and I hope I’m a good writer. Only time and sales will tell.

I wrote a trilogy in summer 2004 while off for the summer from teaching. I wrote another trilogy in summer 2005. I joined RWA in October 2005, after searching for a publisher on the internet and seeing advice to join organizations like RWA and local chapters. That’s how I ended up at CRW, but not until March 2006. Teaching slowed down the process. Darn those daytime jobs.

CRW taught me so much. My first meeting I learned writing is a business and how to write a query/synopsis. I had no idea there were such things. I also learned how extreme the competition is. I had no idea so many writers existed and wanted to be published or what a game it is. I learned it’s all about persistence and taking the steps to get there. I also learned I’m a fly by the seat of my pants, character driven writer, not a plotter.

After joining RWA/CRW I went back to those first six novels and began self-editing based on things I learned about craft: voice, passive, throw away words, POV, etc. I started submitting to agents, editors, and publishers. I took any and all advice from the rejection letters and fixed anything I was told was wrong.

I didn’t start working with Critique Partners or judging or reviewing for magazines until this year(2007). I wasn’t ready, even though I might’ve thought back then I was. I had to climb the ladder. I had to learn craft and even technical programs. I had no idea what track changes on Microsoft word was. I know. Seems silly, huh? Like everyone should know these things.

When I first started coming to meetings, I thought I was so writing illiterate, and I was. Terms most writers are comfortable with totally escaped me. I didn’t know what POV was, or lots of other things. I didn’t go to college to be a writer. I wasn’t an English major. I’d never been a journalist. I worked on a Masters in History.